~ 
L e 

tie cee aa ¢ nan 
4 <o — en ee “ya Set gt _ aa 

oa sab aa e ‘- + “se a, a ae . ? dee ae - - aang Se at 2 ; 

erie = — eS ena es : Stes BABE RES PN en Pate hax er eee panier 
or - st ah PR Saeko aii i emaaee ‘ igliener ges Let a 3 rok, te serine ee wegen 

s ae ~ me , =e > > fe we Se enna as rey err rhea ee tart aye ly al aa lhe een 


Fae 0: 


le. 


wyrmehoyn 


= 
c 
So 
= 
= 
tad 
= 


LIBRARY 


r—) 
[i ) 
> 
oc = 
a 
Pee | 
— i 
ae 
=e 
Ag 
<= 8B 
a 


aL AE Sete yw 
ME bt seeps 


ops “THE PORTFOLIOS OF 


ae TALON HATFIELD 
_ AND OTHER AF irons 


BARE “AMERICAN PORTRAITS: avn Jonzs, Carr. 
oe: _ ConyNenam, WASHINGTON, FRANKLIN, LAFAYETTE AND 
_ OTHERS, 


| AMERICAN VIEWS: Government Hovusz AND FEDERAL 
HALL IN COLORS AND OTHER NEw YORK VIEWS INCLUD- 
ING A SeERresS oF PrRooFs oF THE MILBERT VIEWS; 
CHODOWIECKI's VIEWS OF THE AMERICAN REVOLUTION; 
VERNET’s “QUALIFYING FoR A CAMPAIGN” IN COLORS; 
“BOSTONIANS IN DISTRESS, 1744”, ETC. 


: ‘CARICATURES: Contemporary ENGRAVINGS OF THE AMER- 
aie i _ IcAN REVOLUTION; THE FRENCH NAPOLEONIC PERIOD, 
it) REO. 


OLD MASTERS OF ENGRAVING: AtLpEGREVER, BEHAM, 
Feito Lucas vAN LEYDEN, OSTADE, REMBRANDT AND OTHERS. 


ne ie EARLY DRAWINGS: COLORED COSTUME PLATES: 
iets : AND OTHER INTERESTING PRINTS. 


+ TO BE SOLD AT 8:15 O’CLOCK 
WEDNESDAY EVENING, MAY 13, 1914 


On Public Exhibition from Saturday May 2, 1914 | 


AT 


Che Anderson Galleries 
Metropolitan Art Association 


Mapison AVENUE AT FortTIETH STREET 
New YorK 3 


Gunhitions of Sale 


1. All bids to be per Lot as numbered in the Catalogue. 

2. The highest bidder to be the buyer; in all cases of disputed bids 
the lot shall be resold, but the Auctioneer will use his judgment as to 
the good faith of all claims and his decision shall be final. He also re- 


serves the right to reject any fractional or nominal bid which in his 


judgment may delay or injuriously affect the sale. 

3. Buyers to give their names and addresses and to make such cash 
payments on account as may be required, in default of which the lots 
purchased to be immediately resold. 

4. The lots to be taken away at the buyer’s expense and risk within 
twenty-four hours from the conclusion of the sale, and the remainder of 


the purchase money to be absolutely paid on or before delivery, in de-_ 


fault of which the Metropolitan Art Association will not be responsible 
if the lot or lots be lost, stolen, damaged, or destroyed, but they will be 
left at the sole risk of the purchaser, and subject to storage charges. 


5. To prevent inaccuracy in delivery, and inconvenience in the settle-. 


ment of purchases, no lot will be delivered during the sale. 

6. All lots will be exposed for public exhibition in The Anderson 
Galleries before the date of sale, for examination by intending pur- 
chasers, and the Metropolitan Art Association will’ not be responsible 
for the correctness of the description, authenticity, genuineness, or for 
any defect or fault in or concerning any lot, and makes no warranty 
whatever, but will sell each lot exactly as it is, without recourse. 
But upon receiving before the date of sale expert opinion in writing 
that any lot is not as represented, the Metropolitan Art Association will 
use every effort to furnish proof to the contrary, and in default of such 
proof the lot will be sold subject to the declaration of the aforesaid 
expert, he being liable to the owner or owners thereof for damage or 
injury occasioned by such declaration. 

’ 7. Terms Cash. Upon failure to comply with the above conditions 
any sum deposited as part payment shall be forfeited, and all such 
lots as remain uncleared after twenty-four hours from the conclusion 
of the sale, will be re-sold by either private or public sale at such 
time as the Metropolitan Art Association shall determine, without 
further notice, and if any deficiency arises from such re-sale it shall be 
made good by the defaulter at this sale together with all the expenses 
incurred thereby. This condition shall be without prejudice to the 
right of the Metropolitan Art Association to enforce the contract with 
the buyer, without such re-sale. 

8. We make no charge for executing orders for our customers and 
use all bids competitively, buying at the lowest price permitted by other 
bids. 

9. The Metropolitan Art Association will afford every facility for 
the employment of carriers and packers by the purchasers, but will not 
be responsible for any damage arising from the acts of such carriers 


and packers, 
Che Anderson Gallerivs 


METROPOLITAN ART ASSOCIATION, 
MApDISON AVENUE AT ForTIETH STREET, 


TELEPHONE Murray HI 7680. New York. 
Priced Copy of this Catalogue may be secured for 50 cents. 


Se A Na) eA ase RORY yelp 


Mes 5 Paas ae ay) Ny ate o ean 


we fe o America including a further Selection 


A ne TAYLOR HATFIELD ofNew York 


nee aie and other collectors 


| Wednesday Evening, May 13, 1914, at 8:15 e’clock 
ar 
2 ADAMS (J OHN). Bust portrait. Lithograph by C. 
Motte. Inpra proor; Reproduction of the painting 
by Healy, bust, on Japan paper. 4to. (2). 


sg, ~ ADAMS (JOHN QUINCY). Full bust in frame, stipple 
ie fee ey Longacre.” Small folic. 


*Second state, with frame, put before all See f 


on ALBANY, N. Y. Albany, Capital of the State of New 
, York; House of the First Dutch Governor. LitrHo- 
5 GRAPHS FROM NATURE BY J. MILBERT. Small folio. 
Es ~ INDIA PRooFS . (2). 
4, ALDEGREVER (H.—Pupil of Durer, born in 1502). 
Ammon Forces Thamar; The Stern Father; ‘Two 
Spoons. Bartsch 23, 73 and 268. (3). 


5 — History of Joseph. The four plates. Two are from 
the Storck Collection. B. 18-21. 


6. AMERICAN HISTORICAL SCENES AND VIEWS. 
Woodcuts and engravings, various. About 200. 


”. AMERICAN PORTRAITS. Stonewall Jackson; bust in 
oval on India paper; Garfield, by Perine; Lewis Cass, 
rare India proof lithograph. 4to. (38). 


3 


+ folio, margins trimmed. — 
BO i ae Shee *Rare. The interior of as 
Bar Sagi BY Le aes the wall shows “New vou ; 

“Seat of War in North ‘Amencks 


are fencing and_ scaring cats and_ mice. - 
— *;5 “ably represent Gens. Howe and Kay eeaeee aA 


9. ANDERSON (MAJOR ROBT.). Photograph, 
-... quarter length, seated, in uniform. War time 
. _ graph autographed in ink. 4to. 3 


10. ANDRE (MAJOR JOHN). Capture of André. 
ss ENGRAVING AFTER STOTHARD. 12mo, full margins 


11. AUDRAN (J BAN). Antoine Coyzevox, after hen . 
eee es Henriette Anne d’Angleterre and Marie Eleonor aK | ate 
after Van der Werff. Folio. Sos ea 


12. Laas Antoine Coyzevox. Engraved bust in oval, in r 
ae tangle. After Rigaud. Small folio. Framed. 


~ *Audran’s Academy plate, 1708. 


13 -BARTOLOZZI (FRANCESCO). Religion, oval stipple ; 
printed in brown after Angelica Kauffman; Virgin | 
appearing to three Monks, etching after Guereino. =f 
Folio. Framed. (2). — ‘ 


- Cupids after Cipriano and Guercino; Lady read- 
ing, after the latter. Original impressions. Framed. 
(3 pieces). 


14. 


15. BEGA (CORNELIS). The Country Tavern. Etching. " 
Fine original impression with margin. Small iy 3 


16. 


The Smoker; The Loving Pair; A Woman Smok- gy } 
ing; etc. Richings. 10); ae 


1”. BEHAM (H.S., pupil of Durer, 1500-50). Prodigal Son 
Wasting His Substance. B. 32 


18, eee Cleopatra. B. 7%. 


am Lat iy ty te ee 


| ate ia the Witches, B. 151. cee and 
‘al copy) 5 sabe. Halberdier, B. 49. (3). area 


tly ee, ae and Eve; Adam and Eve by the Tree; 
7 _ Laeret aL B. 4, etc. (4). 
oF “ee “BOSTON. View of Boston and ite South Boston Bridge 
| _ LirHoGRAPH BY J. MILBERT, the figures by Victor 
Adam. Small folio, INDIA PROOF.. 
ean i 0 BOSTONTAN Ss (THE) IN DISTRESS. _ London, BG 
piece ~~ eee for RR. Sayer and J. Bennett, 1774. Folio, mezzo- 
tint. VERY RARE, with margins. 
*Caricature showing a cage marked “Boston”, yap from the 
“Liberty Tree’, at the roots of which are cannon ’and Militia, The 


cage is filled with Patriots, one of whom resembles Franklin, who 
a ae : are being fed with raw fish. 


eget * BREUGHEL (PIETER). The Virtues and Vices. En- 
Siam t graved by H. Cock, 1558. Six curious and scarce en- 
gravings. Folio. (6). 


25. BROOKLYN NAVY-YARD. Original water-color draw- 
ing of the breaking-up of the war-ship “Pennsylvania’ 
in 1850 in the Brooklyn Navy-Yard. With German 
inscription written beneath. 4to. Signed F. Holz- 

sed ~ ~ huber. | 


26. BROWN (JOHN—Of Ossawatomie). Half length in 
oval. Mezzotint by Wm. Sartain. 4to, full margins. 
Open letter PLOOL, 


27. BRUYN (NICHOLAS De, 1570-1655). THE SMALL PAS- 
SION OF JESUS CHRIST. Bl. 64-75. 12 engravings 
executed in 1618-19, all with margins and fair im- 
pressions. The complete set. Small 4to, mounted in 
three frames. 


*Scarce in good condition and impressions as above. ° 
\ 


28. —— Christ and the Centurion. Engraved in 1603. 
Large oblong folio, framed. One of the large plates 
of the artist. 


29. 
30. 


31. 


32. 


33. 


34. 


35. 


36, 


37. 


38. 


39. 


BRY (THEODORE DE). Country Dance. Rare. 
—— Soldiers March, with Death on Horseback. Rare. 


— Pride and Folly, circular engraving with caricature 
portrait of the Duke of Alva; Procession of Baccha- 
nals. ‘Two scarce engravings. (2). 


BRYANT (WM. CULLEN). Bust portrait. Hngray- 
er’s proof signed twice, by 8. Hollyer. Small 4to. 


BURGOYNE’S SURRENDER. The spot where Bur- 


goyne surrendered to Gates. INDIA PROOF LITHOGRAPH 
BY J. MILBERT. Small folio. 


CALIFORNIA NEWSPAPER. The Pictorial Union, 
Sacramento, Cal., April, 1854. Tllustrated. Folio. 
4 pp. Published by J. Anthony & Co., Sacramento. 


*The seventh number; the eight number is advertised to appear 
on the 4th July. The illustrations include three views of Stockton; 
Coloma in 1851; Campo Seco; Placerville; Sonora; etc. Rare. 


CALIFORNIA NEWSPAPER. The Wide West, Illus- 
trated Edition. Large folio, 4 pp. Bonestell & Wil- 
liston, Publishers, Clay Street, San Francisco, 
[1854 ?]. | 

*Views of North Beach, S. F.; Lone Mountain Cemetery; Grass 
Valley with residence of Lola Montez; etc. 

CALLOT (JACQUES). The Prodigal Son Among Wan- 
tons; St. Nicholas Preaching in a Wood; Small plates 
from the Miseries of War; and others various. (20). 


Grotesques; The Apostles; Small engravings of 
scriptural subjects; and miscellaneous subjects. (74). 


CHODOWIECKTI (D.). Bust of Shakespeare and Illus- 
trations of Henry IV., Part I., with two others. 
16mo. 14 pieces. 


—— Scenes in the American Revolution. Capture of 
André; Surrender of Burgoyne; Capitulation at 
Yorktown; Boston Tea-Party; March to Lexington; 
Bunker Hill, etc. A series of 12 small etchings, in 
undivided state on a folio sheet. Rare. 


6 


cv WAR. Richmond, Va. “In Commemoration of 6 

ie a » vthe Glorious Victories.” Lithograph by Magnus, 
1865. _ PRINTED IN BLUE (6) and one in black. Folio. 
Oct 

44. CIVIL WAR CARICATURES. Jeff Davis on his own 

| Platform; Distinguished Militia Gen. during an Ac- 

tion, and two others. Lithographs by Currier & Ives. 

Small folio. (4). 


45. CIVIL WAR BROADSIDE. “Stand by the Flag.” 
Woodcut, apparently used for recruiting a LOU. 
lacie ‘Folio. SCARCE. 


8 aw igs 46. CLAY. (HENRY). Full length, standing, in his library. 
3 ~~ COLORED LITHOGRAPH BY N. CURRIER. Small folio. 
Fine condition. 


s 4%. CLINTON (DE WITT). Half length in frame by J. B. 
Papert) Longacre. 4to. FINE PROOF OF THE FIRST STATE BE- 
| FORE THE NAME OF MAVERICK AS PRINTER. Full mar- 
gins. — 


48. COCK (H.—1510-70). The Country Fair, after Breu- 
ghel; Peasants performing a sword dance, etc. Ob- 
long, folio. Framed. 


49. COLE (THOMAS). The Voyage of Life. Four plates 
| forming the series engraved by Jas. Smillie. Folio. 


(4). 


53. 


54. 


55. 


56. 


57. 


«BS. 


59. 


-—— Game of Chess (Napoleon) ; "Grinning 


Modern Punch Maker. Small 4to. Framed. 


— Taste; John Bull learning a new Movement; 
New Minister; French Bug-aboo. Small 4to. Fram 
(4). om Bes 


etc.; The Three "Beat Physicians, Dr. Diet, Dr. Merr 
man and Dr. Quit. Folio. Framed. (4). 
COLORED MEZZOTINTS. The Young avanton pre 
vateer; The Card Party; etc. Colored mee 
published by Sayer about 1770. Folio. (3). 


COLUMBUS. Columbus among the Learned. Very rare — 
and early Italian engraving. 4to. From the W. Kél- 
ler Collection. ie mote 


COLUMBUS. Bust engraved by Mercuri, 1843. Proof. : : 
ae the title, and another impression with title. ee, 


(2). 


COLUMBUS, | VESPUCCIUS, CORTEZ, AND | 
OTHERS. Three small sepia drawings mounted on ~ 
one sheet, one signed Bergeret, the centre one contain- 
ing 12 medallion portraits of explorers, with a scene 
on te side. Tne, 


CONSTITUTION OF THE U.S. Lithograph, varnished _ 
and black with age; Niagara Falls, by Buller after | 
Hamilton, water-stained; Cricket at Lord’s in 1822, 
colored facsimile. Large folio. \Old frames. (3). 


g \ 


Augustatus: Kuning- 
| Bameus Marin Comodore au _ Service des Ktats 


ie ent on board a vessel. iat Sencauporny etching. 
IN coLors, with small margin. VERY RARE. 


Sd ; *Conyngham commanded a privateer during the early years of 
ee the SP ape toa and had relations with Paul Jones and Franklin, 


eure 61. *. COSTUME PLATES, ETC. Degres des ee colored ; 
_ Suileries, colored ; The Parisian i in London—The Eng. 
lish Seny in Paris (plain). Framed. (3). 


i eo — ine Sammlung verschiedener Zeiten und 
Nationen. Herausgegeben von Gerolamo Franceschini. 
Twenty various parts containing eighty lithographs in 
color of costumes from the fifteenth century to about 
1800. Vienna about 1830. (80). 


“* 63. Swiss Costumes about 1840. Twenty-four various 
ee. t colored lithographs by Schultz and Grenier about 
Retest weet. 45-1840.- (24). 


ae 64. —— Venetian Costumes. lHtchings (uncolored) by 
: - Bosa, about 1820. In the original wrappers with title 
and descriptive list. (24). 


he 


i ae 65. CRUIKSHANK (GEORGE). Fairy Connoisseurs In- 
specting Mr. Frederick Locker’s Collection of Draw- 
ings. Etching, privately printed in a very limited 
issue. Royal 8vo. Framed. 

*Beautiful proof. 


66. DECLARATION OF INDEPENDENCE. The first 

| public reading of the Declaration. Engraving by No- 
ble after Hamilton, within engraved border, from 
Barnard’s History. Small folio. Framed. 


67. -—— Printed on satin, surrounded by a chain of oval 
medallion portraits of Washington, Adams and Jeffer- 
son, and various Allegorical scenes. Lithograph by 
H. Brunet. Folio, mounted. 


j 
9 


68. 


69. 


70. 


vale 


U2. 


73. 
74, 


7. 


76. 


rare 


78. 


—— Negative taken July 25, 1883, from the original 
parchment; also engraved facsimiles by Kimberly; and 
by J. C. Buttre. (3). 


*The photographic facsimile is scarce. 


DRAWINGS. Wash drawing by Hans Burgkmair, about 
1500; Solomon Receiving the Queen of Sheba. One 
corner restored. Framed. | 


Sepia drawing by Lazaro Vasari, pupil and follower 
of Pietro della Francesca, about the early part of the 
sixteenth century; A Full-length figure in Russian 
costume. Framed. 


— Pen and ink and wash drawing by Adrien van Os- 
tade, about 1650; A sheet of figure studies. Framed. 


—— Red crayon drawing finely executed by Rodrigo 
Monzales, seventeenth century; full-length figure of 
an open book supported by a cherub; heads of cherubs 
a female saint supported on a lunar crescent and 
trampling on a dragon, turn towards a man who holds 
seen above. Framed. 


—— Red crayon drawing by Paul Brill, about 1600; 
Jonah thrown to the whale. Framed. 


—— Pen and ink drawing by Guido Reni, about 1600; 
The Holy Family with two angels. 


—— Pen and ink drawing by Sebastian del Piombo, about 
1520; The Coronation of the Virgin. Circular. 
Shghtly damaged. Framed. 


—— Bistre drawing by Allaert van Everdingen, about 
1650; Christ disputing with the doctors. Circular. 
Framed. 


—— Wash drawing by Tintoretto, about 1550; The Bap- 
tism of Christ. Framed. 


— Pen and ink drawing by Andrea del Sarto, about 
1520; Madonna and Child. Framed. 


10 


, Re Magne ots een vr) 


—— 


0, well executed ; St. Francis. Framed. 


Wo. Crayon Drawings; ; The Penitent Magdalen; 


; oat Pee lot spare of a kneeling nun, signed “L” 
as avater) ; Pen and ink drawing, Italian, of a woman 
dle ish conversing with a seated soldier. Framed. (2). 


s - 82. a 2 erin in bistre by Theresa Winkel, German 
ve oi er aaa painter of the eighteenth century ; Half-length figure 
; of a girl seated with wool basket. Finely executed and 


Hage Ange pee and dated 1797. Framed. 


\ 


: 285, —— Mercier drawings: Portraits in profile, half- 
length of a man and woman. Very beautifully exe- 
cuted and signed “Hoffman, 1812.” Framed. (2). 


84, —— Pen and ink drawing with wash by Francesco Rossi 
a (Cecchino de Salviati), about 1550; “The Last Sup- 
per.” Signed. Slightly damaged. iat 


85. —  Exquisitely finished red crayon drawing by Hubert 
Vos, modern painter; A Cornish Fisherman. Signed, 
1890. Framed. 


-86.. —— Pen and ink drawing by Simone da Pesaro, about 
1630; The Holy Family. Framed. 


87. Pen and ink and wash drawing by Raphael Mengs, 

about 1760; The Flight into Egypt. Framed. _, 

88. —— Holy Family, early Italian wash drawing; “Die 

. Kunstler auf Reisen, water color by Geissler; water 
color drawing of a boy. Framed. (3). d 

89. —— Red crayon drawing by QGuercino, about 1620; A 


boy holding a basin. Framed. 
11 


ele AG. ee, drawing by Annibale Caracci, 


: of a young oa Both eighteenth century. 


Bee 
bee 


4, 


92. E 


94. 


95. 


ee 


97. 


99. 


. FAGAN (JAMES). Portrait of a Chief q 


yas Full bust. ee iy C. Motte, 1826, with 


rial pointing aS his Aesth eee 
Small folio, with margins, Paris, chez Basset = 


Folio and gauiter (13). 


United States. Etching. Signed. rematiue He 
Japan paper. Folio. = 


ford, Con: GEO. M. DArLAs, lighopeapt IN “coro Ss 
by N. Currin. Ato, stained. (2). 5 


FRA ANGELICO. The Last Judgment. Photoeranhs of ; 
the painting, shaped top. Oblong large folio. _ 


FRANKLIN. (BENJAMIN), Benienmeu iene 


Francesco Petroncini dis. e inc. Full bust. Line en- 
graving, open letter ee with full margins. Small — 
4to. : 


printseller’s stamp. Small folio. yy _ a 


—— [Av Genre DE FRANKLIN]. Allegorical engraving, 
etched by Fragonard and finished by Mlle. Gerard, 
his sister-in-law and pupil. Folio, cut down. 


*Very rare, with collector’s mark, “J. S.’” 


FRANKLIN DIscoveRING Exrctriciry. India proof 


reproduction in colors of the painting by Benjamin 
West. Small folio. — 


12 


sil (a ated or euiie by. Gacanann Welch, aid 


ie 


or others. Syo. a). 


4 FRANKLIN'S RECEPTION, FRANCE, 1778, litho 
and chromo; Henry Clay; Landing of Motus: ete. 
Tees a. Oo) eee 


. FRENCH COLORED CARICATURE. La Société Lit- 
' _—s- téraire. Etching in colors, Empire Period, probably 
a parody on the Salons held by Pauline and Caroline, 
sisters of Napoleon. 4to. Framed. 


. FRENCH NAPOLEONIC CARICATURES. Les Der- 
- niers Monumens de la Republique; La Couronne 
Théatrale disputée par Mdlles. Duchesnois et Georges; 

we tia Bt Vue brillante de lAniversaire du 14 Juillet 1801; ete. 
eae Three colored. (6). ue 


— ge, *French caricatures of the Napoleonic period are rarely met with. 


104. FRENCH CARICATURES IN COLOR. Le Supreme 
Bon Ton; Les Musards de la rue du Coq; L’Ossian 
Moderne; Folie du Jour; etc. All of the early part 
of the nineteenth century. (11). 


105. FRENCH CARICATURES. A similar lot to the above, 
[Sang but uncolored; Marche Incroyable; Le Boulevard 
Italien; Liberte de la Presse; etc. (18). 


106. FRENCH REVOLUTION. Devouement de Mme. Elisa-. 
beth, 20 Juin, 1792. Stipple by Verité ane: Bouil- 
lon. Large folio, old gilt frame. 


107. GILLRAY (JAMES). “A Morning Ride” outside St. 
James Palace. Etching in colors after Gillray. Gilt 
frame. | 


Middlesex Election, 1804; L’Assemblée N ationale; 
Political Dreamings (with Napoleon). Caricatures in 
colors after Gillray. Guilt frames. (38). 


13 


108. 


109. 


‘110. 


111; 


112. 


113. 


114. 


115. 


116 


alg Kg 


118 


119. 


- Plum-Pudding in Danger (Napoleon) ; The Nur-— 
sery; King of Brobdingnag and Gulliver (Napoleon). 
Caricature in colors after Gillray. Gilt frame, ete. 


(3). 


Engravings after Gillray; French Invasion; Un- 
corking Old Sherry; The Union Club; etc. Colored. 
Folio. (18). 


Ktchings after Gillray; from the Anti-Jacobin 
Review; etc. A fine collection for extra-illustration, 
many referring to the beginning of the Napoleonic 
period. Mostly in colors. (102). | | 


GOLTZIUS (H.). The Fortune-teller; The Vain Wom- 
an; Man and Woman skating; Cavalier on horseback; 
etc. Hngravings after Goltzius. (7). 


GRANT (GEN. U. 8.). Full bust, in uniform, life 
size, engraved by W. HK. Marshall. Large folio, India 
proof, with inscription “To friend Townsend, with 
kind regards. Wm. Edgar Marshall.” | 


LIEUT. GEN. ULYSSES 8. GRANT. Full bust in 
oval, mezzotint engraved by Wm. Sartain. 4to. India 
proof. 


U. S. GRANT. Full bust engraved by J. ©. Buttre. 
Folio. 


—— KEngraved portraits by W. E. Marshall, in uniform 
and plain dress, busts. Folio and 4to. (2). 


—— Equestrian portraits by J. Sartain and H. B. Hall; 
bust by J. C. Buttre. Folio. (3) 


— GRANT AND HIS GENERALS. Colored litho- 
graph with key, by Currier & Ives. Folio, fine condi- 
tion, 1866. 


—— GRANT AND HIS GENERALS. 3 copies of 
the same, ALSO IN COLORS. 


14 


NDER OF GEN. Lux, litho by Robinson; 

ith. and printed in Colors by Bingham & 

rtford, fui 1865, and four other Sri two 
Ae | 


2 N cK (GEN. ‘Wz. S.). Lithograph portrait, life 7 
size; Gen WESLEY Merrtrt, lithograph; Gun. WIN- 
“3 5 FIELD Scorr, Halleck, Butler pee others: in a group. 
| Folio. (3). } 
mtonrin (WENCESLAUS). Piazza in Convent gar- 
den (Covent Garden) ; Willebrock bey Boom, 1651. 
Oblong 12mo, framed. (2). 


i a PY ns | 


: 13. sede “Tothill: Fields, London, original impression and 
a one with the retouch; The Rhine at Cologne; Four 


i as heads of women; Portrait of Hollar by Meyssens. 
(8). 
124. Grotesque Heads after Da Vinci; Lions after Ru- 
bens; Children at Play. (10). 
125. —— Herodias with the head of John the Baptist ; Heads 


of Women; etc. (15). 


Am es 


126. HORSEMANSHIP. Hight various plates from the Duke 
of Newecastle’s Treatise on Horsemanship, 1657, en- 
graved by Clouwet and others, including the portrait 
of Charles the Second mounted. One plate is torn 
and another colored. Large folio. (8).. 


12%. HUDSON RIVER. Haverstraw, or Warren Landing; 
Town of Hudson; The Hudson and the Mills, near 
Sandy Hill; Falls at Sandy Hill, Lirnocrapus From 
NATURE BY J. MILBERT. Small folio. (4). 


eee 3 Sing Sing, Jessup’s Landing, Bridge near Luzerne; 
Hudson and the Catskills. INDIA PROOF LITHOGRAPHS 
‘BY J. MILBERT. Small folio. (4). 


15 


130. 
Sige ee Soars River; Deer Creek Falls; Falls on ‘the Ge 


131. 


132. 


133. 


134, 


135. 


136. 


137. 


JEFFERSON (THOMAS). Full -buchheme eee es 


F Rers socal . eee ; View of 
Adley; Fall at Glenns; INDIA ares 
eee pALRAES Bes Fouge  E (ons 


Falls of Mt. Ida, above Tie ‘Theresa B 


near the residence of Mrs. Montgomery. INnp1a | 
LITHOGRAPHS BY J. MILBERT. Small = 8: 


JACKSON (LIBUT, GEN. THOMAS J. STON 


Sartain. Folio, proof with Fall margins. 


Dequevauvillier after Desnoyers. Small folio, INDIA. 
PROOF. | ine 


JONES (PAUL). Pav Jonzs, Americain, Capitaine 
Commandant la Fregatte l’Alliance, ete. CoNTEM- 
PORARY ETCHING IN COLORS. Full-length in oval, on # 
the deck of his vessel. 4to, with margins. ae 


KAUPFMAN (ANGELICA). Roman Lady braiding 
- her Hair. Original etching. 1765. Small 4to. 
Framed. Scarce, ee: 


LAFAYETTE. Franzosischer Feldherr, 1792. J. F. 
Bolt Se. Berlin ’92. Medallion profile bust 4 in uniform 
and an 12mo. Rare. 


ae [Laraverre AND Louis PHILIPPE]. Embracing. 


Full-length. Lithograph, very rare, but cut down. 
Two Photo grayacey views. 4to. . (3). 


[ LAFAYETTE. ] Lafayette embrassant le Roi, Min- 
iature aquatint in colors and 7 others printed on two 
sheets, showing episodes in his life. Rarr. ) 


16 


138. LAUNE (CH. ETIENNE DE). Allegorical engravings 
of Asia, Africa and America. 16mo. (3). | 
ph aks . *The figure of America is a very early engraving dated 1575. 


: LAUTENSAK (H.). Georg Roggenbach, engraved in 
1554. B. 9. Folio. 


toa7 as Ree fa *An interesting print, fine impression on old paper with water 
ca Mia mark, in fine condition, the landscape clearly and beautifully printed. 


A Akg LEPICIE (BERNARD). Le Jeu des Echecs (Chess) ; 


: ; Beate be La Mére Laborieuse, engraved in 1740; Nicolas Ber- 
Si g : tin, after De Leu. Folio. Framed. (3). 


141. LUCAS VAN LEYDEN. The Four Evangelists. B. 
Aah ne 100-103. Copper engravings dated 1518. 12mo, 
mounted in one frame. ; 


142. —— The Tooth Drawer, 1523; The Surgeon, 1524. 
B. 156 and 157. 12mo. (2). 


Conversion of Paul. B. 107, original but worn 


143. 
impression, showing the border line. From two old 

collections (one royal) with stamps. 

144. —— An Old Woman with a Bunch of Grapes. B. 151. 

145. —— The Milk-maid. B, 158. With collector’s stamp. 

146. —— The Virgin and St. John at the foot of the Cross ; 
The Man of Sorrows; etc. Worn plates. (4). 

147. Hive handing the apple to Adam; Adam and Eve 
driven from Eden; etc. Worn plates. (4). 

148. —— St. Christopher; Christ and the Magdalen; ete. 
Worn plates. (3). 

149. Vergil suspended in a basket; Venus; Pyramus 
and Thisbe. Worn plates. (3). 

150. —— Lucretia; Two Children with a shield and helmet; 


etc. Worn plates. (4). 
17 


151. 


152. 


153. 


154. 


155. 


156. 


‘157. 


158. 


159. 


160. 


161. 


162. 


163. 


[LINCOLN (ABRAHAM)]. Bust. Lithograph. Rare 
portrait, but cut down. : 


—— Mezzotint, half length, in oval, by Wm. Sartain. 
Ato. 


—— Full bust, in oval, nearly life size. Engraved by 
W. HE. Marshall. Large folio. FINE PROOF ON INDIA 
PAPER. 


— Bust portrait in rectangle. LITHOGRAPH IN COL- 
ors by Kimmel & Forster. 4to. 


—— The same in oval. In COLORS. 4to. 


THe Nation’s Martyr. Bust, tes by Cur- 
rier & Ives. 


— Bust, lithograph by the same, different. 


By W. E. Marshall and J. Sartain (mezzotint). 
Folio. (2). 


By Serz; with the Cabinet by Ritchie (damaged) . 
and bust, life size. Large folio (3) and three others 
smaller. (6). 


—— Engraved and wood portraits, scenes, etc., no du- 
plicates, one in colors. 4to, etc. (18). 


[LOMBART (P.).] Portrait of N. De La Fond, Editor 
of the Holland Gazette. Half-length, 1667. Small 
folio. Imprint cut away. Framed. 


*One of the famous portrait engravings of the century, known 
as “le Gazettier Hollandois.”’ 


LONGFELLOW (HENRY W.) IN HIS LIBRARY. 
Engraved by S. Hollyer. Oblong folio, 1882. 


McKINLEY (WM.). Etched portrait bust, by T. John- 
son. 4to. SIGNED INDIA PROOF. 


18 


164. MALIBRAN-GARCIA (MADAME). Lithograph por- 
_ trait by Pendleton after Gimber. Printed by Bourne, 
_ Broadway, New York. Folio. 


_——s«465,. MARIUS SEATED IN THE RUINS OF CARTHAGE, 
Bircaat | Line engraving by Alonzo Schoff. Folio. SoratcH 
LETTER PROOF ON INDIA PAPER, 


*Considered the best plate of the engraver. 


. MILLET (J. F.). The Angelus. Etching by Martial. 
Remarque proof on parchment, signed by Martial. 
4to. Framed. 7 


MISCELLANEOUS. L. 8S. by John Ross Key of the 

_ Revolution, 1798; Portraits in colors of Washington, 
Franklin and Sherman; YANKEE Doopte illustrated 
by Darley, and various prints, ete. (50). 


. MOHAWK RIVER. Road and Bridge over the Mo- 
hawk; Cohoes Falls, River Mohawk. Inpra PROOF 
LITHOGRAPHS BY J. MILBERT. Small folio. (2). 


8 169. MONTCALM (MARQUIS DE—Killed with Wolfe at 
a the Siege of Quebec). Mort de Montcalm. By Mo- 
ret after Desfontaines. AQUATINT PRINTED IN COL- 
a ors. 4to, with margins. VERY RARE AND A FINE IM- 

PRESSION. 


170. MORLAND (GEORGE). Two Colored Prints after 
Morland, Interiors; Dance of Cupids after Albani; 
The Fates, after Michelangelo, and others. 4to. Old 
frames. (8). 


171. NAPOLEON I. Equestrian portrait by Fry & Suther- 
land after Heath. In cotors. Large folio, London, 
1836, with margins. 


172. NAPOLEON AND JOSEPHINE. Etched by Carl 
Pick. Medallion portraits, In coLors. Signed proof 
on China paper. Damaged in the background. Small 
4to; NAPoLEoN, full length, lithograph by Fauconnier. 
Folio. (2). ? 


19 


Chee _ NELSON (LORD). 


Agustin in colons sh 


colors, “Scene at the oe of ie core ‘Garde 
i transparency of Nelson; etching of the Bess 
. the Battle of the Nile, circular. oe 


174. NEW JERSRY. Passaic Falls and River (aye 


near Schooley’s Springs. MILBERT LITHOGRAPH a 


INDIA PROOFS. Small folio. (4). 


175. NEWSPAPERS, ETC. Evening Telegram (frst mn) ; 
Sept. 19, 1881, with the death of Garfield; Ulster Co. 
Gazette (3); Star and Herald, Panama, Dee, 8, 1876, i 


ERR Ga Bs 


1”6. NEW YORK: THE GOVERNMENT HOUSE. <C. 


Milbourne delin’t Et Excud’t 1797. Lavo. AND PRINT- oe 


ED IN COLORS BY C. CURRIER. Drawn Expressly for 
D. T. Valentine’s Manual.” Folio. N. Y. 1847. 


*9HE SCARCE ORIGINAL ISSUE WITH MARGINS, IN COLORS, ~ 


177. —— A VIeEw oF THE FEDERAL HAL., etc. From the 


Original Drawing by George Holland. Lita. anp 


PRINTED IN COLORS BY ©. CURRIER, for Valentine’s 
Manual. Folio. 


*THE SECOND ISSUE WITH THE NAME CURRIER INSTEAD OF ROBINSON, 
VERY SCARCE, 


178. -——— New York from Weahawk. Drawn from Nature 


by J. Mizperr. Folio. Lithograph by Deroy. INDIA 
PROOF, with the title in English, French, etc. 


179. ——— Provost STREET AND CHAPEL. Winter. By J. 


MILBERT. Lithograph by Villeneuve, the figures by 
V. Adam. INDIA PROOF. 
*View at West Broadway and Franklin. 


180. ——— Prerponr’s DistinteRy on Lona IsLAND. By 
J. MILBERT. Figures by V. Adam. Lithograph by 
L. Sabatier. INDIA PROOF. 


181. —— Tarrytown Wuere Mayor ANDRE Was Cap- 
" TURED. By J. MILBERT. Figures by V. Adam. Lith- 
ograph by Bichebois. INDIA PROOF. 


20 


182. —— Lake Gorge anp THE VILLAGE oF CALDWELL. 
ee. By J. MILBERT. Figures by V. Adam. Lithograph 
by L. Sabatier Inpra PROOF. 3 | 


Ae a Wain HAuL, LAkE CHAMPLAIN, and two views 
of the Falls of Canada Creek. Small folio, INDIA 
PROOF LITHOGRAPHS BY J. MILBERT. (3). 


184. —— Wall Street, corner of Broad; Park and City Hall, 
by Pollock. Two oblong 12mo engravings mounted in 
one frame. 


OLp LETTER-HEAD ViEws of the OLD Post OFFICE 
and the Custom Hovss, showing adjacent buildings; 
St. Memin’s Panorama of N. Y.; Inauguration of 
Washington, photo-lith by Laing; Valentine Manual 
Views in colors, etc. Folio and smaller. (48). 


cer. | ABS. 


186. NIAGRA FALLS. American side. Mezzotint by J. M. 
Butler after J. Hamilton. OPEN LETTER PROOF PRINT- 
ED IN COLORS, BEFORE THE IMPRINT. Oblong folio. 


$36." 


Engraving, London, pub. by Sir R. Phillips & Co., 
1813 ; two views, different, by J. M. Butler after Ham- 
ilton and Taylor. Oblong folio. (3). 
187%. —— Niagara from the Canada Side (two, different) ; 


Niagara Falls from the American Side. LirHo- 
GRAPHS FROM NATURE BY J. MILBERT. Small folio, 
INDIA PROOFS. (3). 


188. OREGON. Travels in the Great Western Prairies, the 
Anahuac and Rocky Mountains and in Oregon Terri- 
tory. By T. L. Farnham. 8vo, wrappers (back wrap- 

per missing), pp. 112, worn. Scaror. N. Y., 1843. 


189. OSTADE (ADRIEN VAN) The Artist in His Studio. 
Portrait of the Etcher. Original etching. Small 4to. 
Framed. 


190. —— Evening Bread. Original etching by  Ostade. 
Small 4to. Framed. | 


21 


191. 


192. 


193. 


194. 


195. 


196. 


203. 


204. 


205. 


—— The Cobbler. Original etching dated 1671. Small 


4to. Framed. 


The Drinkers ; The Smokers Drinking. Two etch- 


_ ings by Visscher after Ostade. Small 4to. Framed. 


(2) 


*The latter is the first state and a very beautiful impression. 


— SMOKER AT THE WINDOW. B. 10. 


THE HurpDy-GurDY PLAYER. 


B. 8. Beautiful 


proof from the Geisler Collection, Paris, 1809. 


lection with mark. 


WoMAN witTH REEL. 


FISHERMAN ON A BRIDGE. 


sion with small margins. 


—— CountTRY WOOING. 


margins. 


i, 


B. 25. 


From an old: col- 


B. 26. Old impres- 


11. Fine impression with 


—— PEASANT WOMAN witTH T'wo CHILDREN. B. 14. 


a 


“THe ScHoo.. 
with margins. 


Bea, 


— GRAcE Berore MrEatT. 


THE GOSSIPS. 


bottle’ stamp. 


ae ELE AMIE: 


B. 40. 


B. 46. 


Fine original impression 


1653. B. 34. 


Original impression with 
small margins, from a collection with quaint “blue- 


Small 4to. 


—— DANCE IN THE INN. B. 49. With old collector’s 


mark. Oblong 4to. 


pression. 


sion. 


THe KNIFE THRUST. 


22 


B. 18. 


Good original im- 


SINGER IN THE WINDOW. B. 19. Good impres- 


206. 
207. 
208. 


209. 
| 210. 
211: 
212. 
213. 


214. 


215. 


216. 
217. 


218. 


219. 


KILLING THE Pia. B. 41. Circular. Good im- 
pression with margins. 


—— Maw ann Woman Conversine. B. 37; THE 
KNIFE GRINDER. B. 36. (2). 


—— THE CHARLATAN. B. 43; Tric-TRAc. PLAYERS 
(Backgammon), B. 39. (2). 


— THE Empty Jua. B. 15. 

—— Tue Vioiin anp Hurpy-Gurpy Prayers. B. 45. 
—— Tue Prasant BLowine a Horn. B. 7. 

—— Tue Barn. B. 23. 

—— THE THREAD-WINDER. B. 81. 

— ‘TH SmMoxKeER; Mother and two children at a door- 


way; Man at his doorway; The Hump-backed violin 
player. (4). 


THe Gossips; Beggar with a bent back; Beggar 
with a pointed cap; Beggar with his hands behind. 


(4). 


THE Doii; The Hurdy-Gurdy Player; The Tric- 
Trac Players; ete. (5). 


Tur Hurpy-Gurpy Prayer; The Seller of Spec- 
tacles; Three grotesque figures; etc. (5). 


PAINTING ON GLASS. Curious and quaint eigh- 
teenth century painting representing two kings exam- 
ining a plan of a building, surrounded by courtiers 
and with open treasure chests. Guilt frame. 


PARIS. Bird’s Eye View, engraved by J. A. Testard. 
Aquatint. Large folio, published in Paris. 


23 


220. 


221. 


sey 


223. 


224. 


220. 


226. 


R27, 


228. 


229. 


230. 


231. 


R22. 


PHILADELPHIA FROM PETERS | iW 


has eee Beat TPAC sheutene emmys Lie tes 


by AS Serz, after Weber. | Folio, , open 13 


PORTRAITS. Rees Simkin pes Tere 3 J ohn 
ee H. W. RS etc. 8vo, etc ee 


| colors, time-stained, ete. (100). 


Jefferson Davie: Wm. White i affarson as Gimbrode: oe 
Pierce, in naiforne Paul Jones, etc. (150). 


PORTRAITS (MUSIC SHEET). Jenny Lind (3); — 


Fanny Cerito, coLorRED; Anna Bishop; Col. Ellsworth; 
McClellan and others, group in contors; etc. (9). 


REMBRANDT. The Great Coppenol. B. 283. From 
the Becker Collection, Dresden, 1819, and another col- 
lection. 

*The head from the divided plate. 


—— The Star of the Kings. B. 113. 


—— The Crucifixion. B. 80. From the Wiesbock 
(1863) and Bergmann Collections, and fon a crowned — 
stamp “E. B.” 


—— The Travelling Musicians. B. 119. 
eer oseph and Potiphar’s Wife. B. 39. 


EN the Model ea 102: 


David in Prayer. B. 41. With two old collector’s 
stamps (one a crown). 


—— Utenbogardus. B. 274; Beggars at a House Door, 
B. 176; Rembrandt Drawing, B. 282. Plates some- — 
what worn. (3). | 


24 | ty 


235. 


236. 


— 287. 
238. 
239. 


240. 


2A. 


«284, 


7 St. Jerome in the dark manner, B. 105; Rem- 
brandt and his Wife, B. 19; Rembrandt, 1653, 'B. is 
Rembrandt in mezetin cap ‘and feather, B. 20; Rem- 
brandt’s mother, B. 352. Worn plates. (5). 


—— St. Jerome with the Lion, B. 102; Flight into 


Egypt, B. 52; Old Man with Fur Cap, B. 264; and 
others. Worn plates and copies. (11). 


—- Borgomastro Olandese, engraved by G. Longhi in 


1811. 4to, unusually fine impression. Framed. 


— Alexander and Diogenes. Etched after Rembrandt 


by J. B. Norblin; La Juive Fiancée, etched by G. F. 
Schmidt in 1765. Small 4to, fine impressions. 
Framed. (2). 


*The latter is from Lavater’s Collection, with his ms. note 
mounted with the print. 


RHODE ISLAND. North View of Providence; Paw- 
tucket Falls. MiLBerT LITHOGRAPHS, the figures by 
Victor Adam. Folio, INDIA PROOFS. (2). 


RIDINGER (J. E. & M.). Etchings of animals in their 
native haunts, in combat, hawking scenes, etc. Folio. 
(14). 


——  Engravings of Lions, Bears, Monkeys and Ele- 
phants. Folio. (10). 


ROGERS (W.—English sailor, rescued Alex. Selkirk, 
Author of “Narrative of a Cruise Around the World,” 
and famous for his suppression of the pirates). “Le 
Brave Royer, Capitaine du Corsaire, etc.” Full-length, 
on the deck of a vessel. Etching, oval, IN COLORS. 
4to, with margins. VERY RARE. 


ROWLANDSON (THOS.). Pastime in Portugal, or a 
Visit to the Nunneries. Characteristic etching in 
colors, published by Tegg in 1811. Framed. 


29 


242. 


243. 


r44, 


2405. 


246. 


R47, 


248. 


249. 


250. 


—— “Old Bond Street”; Exhibition Room, Somerset 
House; Synagogue. Three aquatints in colors by Row- 
landson & Pugin, 1808. Small 4to. Guilt frames. 


RUBENS. ‘The Infants Christ and John playing with 
the Lamb. Original etching by the painter. Scarce. 


RUYSDAEL (JACOB). Thatched cottage by a stream. 
Original etching by the painter. B. 1. Original im- 
pression with margins from the Baumgarten, Berg- 
mann and another collection. 


SADELER (JOHANN). The Dance at the Banquet, — 


1588; Death at the Rich Man’s Feast; Death in the 
Poor Man’s Family; The Banquet with the lute player. 
(4). 


SARATOGA SPRINGS: SACKETT’S HARBOR. In- 
dia proof lithographs by J. Mitpert. Small folio. 
(2). 


SCOTT (GEN. WINFIELD). Half-length, in uniform. 
Lithograph by Currier & Ives; Gen Scott, the Her- 
cules of the Union slaying the Dragon of Secession. 
Lithograph. Folio. (2). 


SHAKESPEARE. King Lear in the Storm, engraved 
by Sharp after West; CyYMBELINE (Pisanio and 
Imogen in Act III.) ; engraved by Thew after Hopp- 
ner. Original impressions, PRINTED IN COLORS AND 
TOUCHED BY HAND, Boydell, 1793-1801. Folio, mar- 
gins worn, (repaired). Framed (no glass). 


SPIRIT OF ’%6, two copies; SHERIDAN’s Ripz; The 
First Reformers. Mezzotints. Folio. (4). 


*Sheridan’s Ride is a proof on India paper, by Wm. Sartain. 


STEEL PLATES. Portrait of Franklin engraved by 
G. B. Ellis; Daniel Webster by Cheney, and four 
others. (6). 


26 


et aT a o. 
ue 9) Rogie: 
or ae Ape? «. i 

Fe tat ey Pals ete 


251. 


252. 


253. 
254, 


255. 


256, 
Rou, 
258. 


259. 


260. 


SUFFREN (ADMIRAL P. A.—French Naval officer, 
with D’Estaing in America). Engraved portraits by 
Chapman, and an unsigned eighteenth century line 
engraving. Small 4to, with full margins. (2). 


THENIERS (DAVID). Peasants Conversing; The 
Smoker. 'T'wo etchings. 


*Original etchings by the painter. Teniers etched very few 
plates and they are rarely met with. 


— la Conversation, engraved by Laurent; Delices des 
Flamans, by Lempereur; Dance outside an Inn, by 
LeBas. Framed. (3). 7 


—— Dutch Kitchen; Lighting Up; The Argument. 
Engraved by Major, 1746, printed in brown. Old 
frames. (3). ; 


TRUMBULL (JOHN). The Death of General Mont- 

‘ gomery. Engraved by W. Ketterlinus, printed by And. 
Maverick. Pub. by John Trumbull, Jan. 1, 1808. 
Oblong folio, in fine condition, with full margins. 


— Battle of Bunker’s Hill. Engraved by James 


Mitan. Printed by And. Maverick. Fine impression, 
folio, with full margins. 


UNION. Group portrait, Clay, Scott, Webster, etc. (238 
portraits). Mezzotint by Sadd after Matteson. Folio, 
1852. Stained. 


VANDYCK. Le Christ au Roseau. Original etching 
by the painter. Fourth of five states. 4to. 


VANDYCK’S PORTRAITS. Maria Rutens; Inigo 
Jones; Ambrose Spinola; Don Alvar Bazan; etc. En- 
graved by Paul Pontius and others. Good impres- 
sions. (7). 


VENEZIANO (AGOSTINO). The Witch’s Ride. Curi- 
ous and rare engraving sometimes ascribed to Mare 
Antonio. Large oblong folio. 


27 


261. 


262. 


263. 


264, 


265. 


266. 
267. 


268. 


269. 
270. 


Hee 


VIEWS. Buffalo” and Deer hunts, in asia , histori 


Wayne i in 1807, ete. “About 150 pieces. 
VISSCHER (CORNELIS). ‘Pngreved porte amet 
ert Junius. 1624. Folio. ee es eae Sa 


Hartford, Conn. With margins, abu tlh — 
stained. Small folio. 


—— SACRED TO THE MEMORY OF .. . GENERAL 
Grorce WasHINGTON. Full bust PRINTED IN TINTS, 
surrounded by scroll-work and fancy border as done 
with a pen. By John I. Donlevy, “Intaglio, Chromo- 
graphic and Electrographic Engraver.” Large folio. 


*Fine impression with full margins. Very rare in colors. 


—— Bust in oval engraved by ini E. Marshall. In 
coLtors. 4to, large paper. 
*VERY RARE, .Said to be one of ten ane in ocinee 


—_ Full bust, engraved by Blanchard after Couder. 
Inpra PROOF. Small folio. 


— Bust, line engraving by range after Longhi. 
FINE PROOF. a folio. 


— Bust. Lithograph by Motte. Folio, 1826. 


Patriae Pater. Bust, mezzotint by A. B. Walter a 
after Rembrandt Peale. Folio. Pee 
: us ‘ 2 

’ ? “y + : a 

‘Etched portrait by T. Johnson, bust, signed India a 
proof. Folio. : é . 


Les PRESIDENTs Des Erats UNIs. Group of port- 
rait busts in the clouds. Washington to J. Q. Adams. 
French lithograph by A. Maurin. Small folio. 


V28 


272. —— Stipple bust in oval engraved by Rosmasler. Small 


4to. . 

273. ——— Bust in oval, by W. E. Marshall. 4to. 

274, —— Full-length. Mezzotint by E. A. Rice. Inpra 
PROOF before letters. Small folio. 

275. ——— The Athenaeum portrait. Engraved by Welch 
after Stuart. Large folio. 

276. ——— The same, lower margin cut to engraving. 

277. ——— WASHINGTON aT PRAYER. COLORED LITHOGRAPH 


by N--Currier. 4to. 


278. —— Full-length from the Lansdowne portrait. Cot- 
ORED LITHOGRAPH by N. Currier. Small folio. 


279. GEN’'L GroRGE WASHINGTON. Equestrian port- 
rait. COLORED LITHOGRAPH by Currier & Ives. Folio, 
fine condition. 

280. Two equestrian portraits, different coloring, and 
a half-length standing. CoLORED LITHOGRAPHS BY 
CURRIER & IVES. Small folio. (3). 

281. —— lLapy WASHINGTON. COLORED LITHOGRAPH by D. 
W. Kellogg, Hartford, Conn. Small folio. 

282. ———- WaAsHINGTON PassING THE DELAWARE. Etched 
by W. Humphreys after Sully. Folio. 

283. ——— [WASHINGTON AND FAMILY ON THE GALLERY AT 


Mr. VERNON]. India proof before letters. Large folio. 
Engraved by T. O. Barlow. 


284. —— Tur PRAYER AT VALLEY Force. Mezzotint by 
McRae; Washington’s First Interview with his Wife, 
by G. H. Hall. Folio. (2). 


29 


285. 


286. 


287%, 


288. 


289. 


290. 


aol. 


292. 


295. 


296. 


—— WAsHINGTON AT Home. Lithograph by Currier — 


& Ives; and engraved by T. A. Barlow. Large folio. 
(2). 


—— Full-length, Lansdowne portrait by W. L. Ormsby; 


Washington as a Mason, old chromo; Washington and 
the Cherry-Tree; Washington at Valley Forge, both 
by McRae; Washington and Rochambeau, by Massard, 
reproduction in colors. All in old frames, some prints 
stained. (5). ; } 


Lithograph by Sarony, life size. Oval. Large 
folio. Old frame. 


By Gobrecht, Edwin (poor copy), by Sartain, Hal- 
pin, Pekenino (8vo), and Buttre. Folio. (6). 


The Lansdowne portrait engraved by Tiebout, Hal- 
pin and Ritchie. Folio. (38). 


The same by Ritchie, Ormsby, Sadd and - Rice. 
Folio. (4). 


— fFull-lengths by Laugier, Warner, Kelly and Hoen 
(Litho). Folio. (4). 


—— On horseback, etching, hand-colored; and full- 
length by W. Warner; H. Wright Smith and The 
Graphic Co. Folio. (5). 


—— Lithograph busts, life size, 2 colored (4). 


By Tanner, panorama by Magnus, after the Sav- 
age mezzotint on India (8vo); and others, including 
a few woodcuts and views, some duplicates, ete. (108). 


—— WasuHineTon Famity. Lithograph In cotors by 
N. Currier. Small folio. Old frame, no glass. 


WASHINGTON Famity. Mezzotint by Sartain 
aiter Savage, with lithographs and reproductions of 
the same, two in colors. Folio. (11). 


30 


i Stila 


297. 


298. 


299. 


300. 


301. 


302. 


303 


304. 


305. 


306. 


—  WaAsHINGTON DELIVERING His INAUGURAL AD- 
DRESS ; and other scenes in his life. Folio. (9). 


— WAsHINeTON. Mt. Vernon, the Washington Mon- 
ument, ete. Folio, and smaller, some in colors. (14). 


WEST POINT. General View of the Military School, 
West Point; West Point at the Moment of Exercise. 
LITHOGRAPHS FROM NATURE BY J. MILBERT. Small 
folio.. INDIA PROOFS. (2). | 


WESTWARD HO! By Booth after Beard; Mexican 
News by Jones after Woodville, (damaged) ; Liberty 
Tree, woodcut, with state insignia, etc. Folio. (8). 


WIERIX (JEROME). Three different plates of the 
Crucifixion; ANTon WieErIx, The Adoration of the 
Magi, very fine impression. (4). 


WILLE (J. G.). La Devideuse, mére de Gerard Douw. 
Engraved after Gerard Douw. Folio. Framed 


onus Bonne Femme de Normandie; Soeur de la Bonne 
Femme de Normandie. Both good impressions. (2). 


Le Petit Physicien, after Netscher; Jeune Joueur 
d’Instrument, after Schalcken; La Menagére Holland- 
oise, after Douw; L’Observateur Distrait, after Mieris. 
Framed. (4). 


WOUVERMANS (P.). La Fontaine de Bacchus.’ En- 
graved by J. Moyreau, 1736. Fine original impres- 
sion. Folio. Framed. 


—— Le Cabaret; La Blanchisseuse Flamande; after 
Wouvermans; The Canal; Thatched Hut on a Canal, 
and another, three etchings by Weisbrod. All fine im- 
pressions. Small 4to. Framed. (5). 


nf 


4 ~ 
sh ah 4 
ae f “ 
“h a 7 i 
en hey are Ag 
+ a oF 
ee ‘ 


iy : 
Kt planetary ee “ 

Tas elit Mabe ea ent eS 

: ey ee eC re 


Eeee 
a OO garda SHE 


ei hoe 

Oi ge 
angen 

i re 
=, 


> _— a - le od . 
- pone wt 
doy ae ae 
a eS ed ag ER te 
SS a i TO ee Se a 


= SS a ro eer POETS 
f aie 


ia 


hot 2 go ogee 


Sa 
Say 


ee ae ete iad 
See nN 


sacs 
yer taery 


